Editing, Rereading, and Rediscovering My Story

Over the past few days, I’ve been deep in the process of proof-reading and editing three chapters of my novel, The Veil of Kings and Gods. It’s not the most glamorous part of writing, but this time, it felt different.

Something about reading the story with fresh eyes after a short break made the experience… enjoyable. Genuinely enjoyable.

I wasn’t just correcting grammar or trimming repetition, I was rediscovering the world I’d built. The tension in a particular scene, the rhythm of dialogue I’d forgotten writing, or that one line that landed exactly how I hoped it would months ago. These small victories reminded me that, yes, I’m actually telling a story worth reading.

There’s a strange kind of pride that comes with this phase. It’s less about ambition and more about affirmation. Not “Will this sell?” but “I’m glad I wrote this.”

Of course, I still tweak. I still cut. I still sigh when a sentence refuses to behave. But the difference now is that I’m refining something real, something that already exists, not chasing a blank page.

If you’ve ever written something long-form, be it a novel, a thesis, or even a personal journal, you might know the feeling: rereading your own words and thinking, This isn’t perfect… but it’s mine. And it’s good.

That’s the stage I’m in right now. And I wanted to share it, not just the technical process, but the strange joy of falling back into a world you created and realising you want to stay there a little longer.

Want to Hear the Behind-the-Scenes Version?

If you’d rather hear me talk through the editing process, I recorded a short face-to-camera video as well. You can watch it here:

Whether you’re a fellow writer, a reader waiting for the book, or just curious about the creative process, I hope this gives you a little window into what it means to edit with joy.

Let me know in the comments: Have you ever gone back to something you made and felt quietly proud of it?

Writing Between Worlds: How I Create Without a Dedicated Space

There’s a romantic image of writers, sitting at a tidy desk by the window, sunlight pouring in, coffee steaming, and silence wrapping around them like a warm blanket. I admire that image. But my reality looks nothing like it.

I don’t have a designated writing space. Instead, I bounce between my school desk during quiet moments, the dining table when it’s free, and sometimes, my children’s study desk, usually after they’ve abandoned it for something more exciting. These places aren’t ideal, but they’ve become little writing islands where my story continues to grow.

As for my schedule, it’s a puzzle I solve day by day. I try to write in the afternoons between lessons, catching the quiet moments when the school slows down. Evenings are when I get the most done, once the family is asleep and the house slips into silence, that’s when I open the laptop and step back into Ældorra or whatever world I’m working on.

Weekends are unpredictable. If there’s time, after the housework, the errands, the family time, I write. Sometimes it’s just for twenty minutes, sometimes I surprise myself with a full hour of deep focus. But I’ve learned something valuable: consistency doesn’t always mean strict routines. Sometimes it just means showing up when you can, and making those small moments count.

I don’t write in perfect conditions. I write around life. And in a way, I think that gives my stories more life too.

If you’re a writer juggling your own chaos, I’d love to hear where and when you find your writing windows. Let’s build a space together, even if it’s scattered.

Inside the Life of an Aspiring Author

Most people imagine authors as curled up in quiet rooms, sipping tea and watching the words pour effortlessly onto the page. A kind of literary tranquillity, wrapped in books and warmed by candlelight.

I wish that were true.

The reality, at least for me, is far from romantic. It’s writing between real-life responsibilities, when the house is quiet and the world finally pauses. I’ve made a decision to pursue this dream fully, working extra hours not because I love the grind, but because that income, after family needs, goes straight into editing, proofreading, and eventually publishing. I’m investing in my own story, one sacrifice at a time.

My day is a patchwork of obligations. I run a small English school in Japan, manage creative routines around work and home life, and still find time to draw maps, script lore videos, and edit chapters that feel like they’ll never end. I’m not yet published. I’m not famous. But I’m building something, page by page, post by post.

There’s a mental weight to this work that few talk about. Some days, I stare at a sentence for an hour, unsure if it even belongs. Other days, it all flows so quickly I can barely keep up. The emotional shifts are real, self-doubt, exhaustion, the nagging feeling that I should be doing something more “practical.” But then a scene clicks. A piece of world-building locks into place. And for a moment, it feels like magic again.

So why do I keep going?

Because I believe in the stories I’m telling. The Veil of Kings and Gods is more than a novel, it’s a world I’ve carried for years. The short stories of Ældorra let me explore lost myths and haunted corners I’ve only glimpsed in dreams. And my sci-fi series, still in early development, pushes me to imagine a future I can barely articulate.

I don’t know when success will come, or even what it’ll look like when it does. But I know this: I want to create worlds that feel real, dangerous, and beautiful. Worlds where characters fight for something, where gods whisper from beyond, and where the weight of time never fully lifts.

Why I’m Returning to YouTube | And Why It Starts with This Book

There’s a difference between going quiet and being absent.


For a while, I stepped away, from videos, from updates, from showing anything before it was finished. It wasn’t dramatic. It wasn’t burnout. It was the slow realisation that I didn’t want to just “upload” things. I wanted to build something worth showing.

And for me, that something has always been The Veil of Kings and Gods.

It’s the novel I’ve rewritten, expanded, and quietly carried through drafts and worldbuilding documents while the rest of life kept moving. But now, it’s taking shape and with it, so is the purpose of my YouTube channel.


✍️ What You’ll Find on the Channel

This isn’t a general author channel. It’s not a catch-all for whatever I feel like filming. It’s a focused space for one story, The Veil of Kings and Gods, and the creative journey behind it.

Here’s what I’ll be sharing:

  • Novel updates: where I am in the process, what’s being edited, and what’s coming next
  • Behind the scenes: life as a writer, both the structured and the slightly chaotic
  • Art: drawings, AI-assisted visuals, and map explorations that bring the world to life
  • Book reviews: quick, honest thoughts on books that inspire or contrast with my own
  • And eventually: readings, lore explainers, and maybe even glimpses into the writing process itself

All of it will centre on The Veil of Kings and Gods, because if I’m going to share something, I want it to matter.


🧾 The Chapter in My Hand

In the video below, you’ll see me holding a printed chapter from the novel. That was intentional. There’s something about seeing words off-screen that makes them real again.

This is me picking them up, literally and creatively, and deciding to let others see the journey.


📺 Prefer to Watch?

Here’s the full video version of this post, where I explain the relaunch and what’s coming next:


Thank you for reading. Whether you follow through these posts or through the videos, this is where the story begins.

Simon J. Phillips
Author of The Veil of Kings and Gods