Why I’m Writing Fantasy Short Stories (And How They Expand My Novel’s World)

Before my epic fantasy novel The Veil of Kings and Gods releases, I wanted to open a small window into the world of Ældorra, a world of stone kingdoms, fading gods, and myths that refuse to die.

Each short story I write is its own world in miniature. They don’t rely on the main novel, yet every one of them echoes it, a fragment of history, a lost prayer, or a legend that shaped the lands my characters now walk. Some are quiet and personal; others burn with the power of the divine. Together, they breathe life into Ældorra in a way that maps and lore pages never could.

Writing these stories is more than worldbuilding, it’s a way of feeling the world I’ve spent years creating. When I step into a new tale, I discover the texture of the world again: the smell of rain on stone, the flicker of temple light, the forgotten names carved into the ruins.

These short stories aren’t just for readers waiting for the novel, they’re for anyone who loves myth, emotion, and the quiet moments that make a fantasy world feel alive.

You’ll soon be able to explore them as ebooks, see the artwork behind them, and even collect the prints.

Welcome to Ældorra. The gods don’t stay silent forever.

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Why I Still Believe in Epic Fantasy in a Cynical World

There are days when the weight of the world feels heavier than ink or fire, when the quiet corners of the soul grow dim beneath the noise of what passes for truth. In such moments, it would be easy to set aside the great tales, to dismiss them as relics, gilded stories carved for brighter ages. Yet I do not.

I still believe in epic fantasy.

That may sound strange to those who favour stark realism, whose shelves are lined with fractured heroes and greyscale worlds. We are told that truth lies in brokenness, that hope is naïve, and that honour is no more than an illusion passed down by old songs and older men. Perhaps. Perhaps the world has earned its doubt.

Even so, I return to the stories where kingdoms rise and fall, where swords gleam beneath ancient skies, and where the soul of a man can alter the course of the stars. I return not because such tales are easy, but because they ask the oldest question with unflinching grace: What is worth fighting for, when the world stands poised on the edge of ruin?

There is power in that question. Quiet, enduring power.

Epic fantasy, when it is true to its roots, does not flinch from sorrow. It walks beside it. It knows the weight of sacrifice, the silence after loss, the slow unwinding of power misused. Yet it dares to offer meaning in the ashes. It does not scoff at faith or nobility. It treats love, be it for a kingdom, a child, a forgotten god, with reverence rather than irony.

That tone, that trust, is something I refuse to let go of.

For me, writing within this tradition is an act of defiance as much as devotion. It is choosing beauty when the world favours bleakness. It is lifting a banner in fog, even when no one watches. And yes, it is believing in things unseen, magic, yes, but also memory, duty, and the soul’s quiet yearning for more.

There are moments in the story I’m shaping where the light fades, where characters stumble beneath burdens they cannot name. In those moments, it would be easy to give in. Yet the story holds steady. Because epic fantasy does not require perfection, it asks only that its heroes rise, however broken they may be.

In a cynical world, that still matters.

So if you find yourself weary of headlines, of noise, of shallow victories and hollow rage, step into a world where the stars still whisper, where the land remembers, and where even the most wounded soul may shape the fate of empires.

You may find, as I have, that there is more truth in those tales than many would dare admit.